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Same notes. Compare how each moves through them. Lights under each pad show which rāga sings it.
What sets them apart
6 of 12 differ| What | Kalyāṇi · Carnatic | Yaman · Hindustani |
|---|
| Ascent | SSaR2Ri 2G3Ga 3M2Ma 2PPaD2Dha 2N3Ni 3Supper Sa | Nlower NiRReGGaM′tīvra MaDDhaNNiSupper Sa |
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| Rasa | Śṛṅgāra · Bhakti | Śānta · Bhakti |
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| Ascent style | All seven notes, often from the lower Ni | Skips Sa and Pa: Ṇ R G M′ D N Ṡ |
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| Signature | Ṇ R G M P | Ṇ R G R S |
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| Ornament | Gamakas — Ga and Ni oscillate | Meend and kaṇ — slides, notes held steady |
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| Unfolding | Through kritis and rhythmic sañcāras | Slow ālāp, note by note, before the bandish |
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Shared: parent (Mela 65 · Kalyāṇi = Kalyāṇ thāṭ) · notes (7 · SSaR2Ri 2G3Ga 3M2Ma 2PPaD2Dha 2N3Ni 3 = 7 · SSaRReGGaM′tīvra MaPPaDDhaNNi) · descent (Supper SaN3Ni 3D2Dha 2PPaM2Ma 2G3Ga 3R2Ri 2SSa = Supper SaNNiDDhaPPaM′tīvra MaGGaRReSSa) · form (Sampūrṇa · 7 / 7) · movement (Straight up and down) · time (Evening = First prahar of night)
Phrases
Kalyāṇi
Yaman
